On props and prop masters

This article by Robert Loerzel originally appeared in Playbill magazine in the summer of 2007. Last spring, as Lookingglass Theatre held tech rehearsals for the African war drama Black Diamond: The Year the Locusts have Eatern, freelance prop designer Rachel Jamieson sat in the theatre pondering fake blood. “There’s a lot of it,” she says.… Continue reading On props and prop masters